Press
Grimgerde in Die Walküre at Grange Park Opera
"The Valkyries were a terrifying lot, especially Becca Marriott’s Ortlinde and Gemma Morsley’s Grimgerde – their glee as they hauled the bloodied body bags and their terror at the implications of their sister’s deed, were enough to send any would-be warrior off the field lest he should catch their gaze." - Music OMH
Marcellina in The Marriage of Figaro with The Merry Opera Company
"Gemma Morsley’s waspy Marcellina is an absolute delight, getting right to the heart of the role with her finely-honed mezzo" - Operissima
Maddalena in Rigoletto with Opera Loki
"Gemma Morsley did not disappoint, bringing both sensual fire and intriguing vulnerability to Maddalena, as well as a well-judged sense of comedy" – Bachtrack
La Ciesca in Gianni Schicchi with Fulham Opera
"Gemma Morsley's glamourpuss Ciesca adds a touch of glamour (or fashion-forward Milan) to the stage" – Operissima
Dorabella in Cosi fan tutte with Oyster Opera
"The singing is of a high standard throughout with no weak links, but Gemma Morsley as Dorabella stands out" –WhatsOnStage
The White Witch in The Lion, the Witch and the Wardrobe with Creation Theatre
"Gemma Morsley plays the White Witch brilliantly" - Oxford Daily Info
"Gemma Morsley depicts a terrifying witch" - A Younger Theatre
Donna Lucrezia in Casanova at King's Head Theatre
"A soaring voice and acting talent" - Extra! Extra!